UNDER MAINTENANCE
TEXTS
Paradox of Plenty (ed. Hugo de Almeida Pinho, ATLAS Projectos / Kunstraum Botschaft, Berlin), 2021
Castelo Branco, Sara. (2021). “Other Ways of Seeing – about critical relations between art, technology and Extractivism”.
Images & Archives – Photography’s and Films (ed. Teresa Mendes Flores, Sílvio Correa, Soraya Vasconcelos, ICNOVA, Lisbon), 2021
Castelo Branco, Sara. (2021). “O Arquivo em Reverso – A Potência da Origem e do Inconcluso nas obras de Filipa César e Ângela Ferreira” (pp. 273-296). ISBN 978-989-9048-11-9.
The Garage Journal: Studies in Art, Museums & Culture (In and Out of the Museum: New Destinations of the Moving Image), 2021
Branco, Sara Castelo. 2021. "Notes on Unstable Cinematic Horizons: Depth, Frontality, and Circularity in Cinematic Art Installations”, The Garage Journal: Studies in Art, Museums & Culture (4): 115-133.
RCL ARTis ON (Excess and Insufficiency of Video. Current Issues), 2021
Branco, Sara Castelo & Pinho, Hugo de Almeida. 2021. "O Meio enquanto Dispositivo Heurístico e Intermedial – Uma Abordagem às Exposições Meio Concreto de Alexandre Estrela, e, Lua Cão de Alexandre Estrela e João Maria Gusmão e Pedro Paiva", Revista ARTis ON (11): 20-31.
CITAR Journal of Science and Technology of the Arts (On Cinema), 2020
Branco, Sara Castelo. 2020. "Between the Screen-Sediment and the Shattered Window”, CITAR – Journal of Science and Technology of the Arts", CITAR – Journal of Science and Technology of the Arts (2): 20-36.
ANIKI 3.1 - Portuguese Journal of the Moving Image, 2016
Branco, Sara Castelo. 2016. "O Cinema Português, o Trans-temporal e o Mito", Aniki - Revista Portuguesa da Imagem em Movimento (3): 64-83. Texts about the works of the artists Jonathan Saldanha and Nora Turato for the special paper edition of the magazine Contemporânea IV, 2019
Still Cabanon (Anozero – Biennial of Contemporary Art of Coimbra, Coimbra, PT), 2017
Two essays on the works of Ângela Ferreira and Pedro Brígida presented in the exhibition Still Cabanon.
Production of written content (synopses and other texts) for the film screenings No More Reality? and Edgar Pêra: Uma Retrospectiva for the Serralves Museum of Contemporary Art, Porto (PT), 2016
Lugares de Viagem – Biennial of Contemporary Art of Maia 2015 (Fórum da Maia, Maia, PT), 2015
Branco, Sara Castelo. 2016. "O Diálogo do Passado com o Presente na obra de Manoel de Oliveira", in Lugares de Viagem – Bienal da Maia 2015. Maia: Câmara Municipal da Maia.
SUB-40 (Galeria Municipal do Porto, Porto, PT), 2014
Texts about all the works presented in the exhibition "Sub 40", published in: SUB40 - Arte e Artistas no Porto - para lá da memória conhecida. ISBN: 978-972-634-123-9. Porto: Câmara Municipal do Porto.
EXPEDIÇÃO (Maus Hábitos, Porto, PT), 2014
Branco, Sara Castelo. 2014. "Para Além do Mal – Como uma Pintura Figurativa", in Diário de Bordo - EXPEDIÇÃO. Porto: Saco Azul Associação Cultural/DGARTES.
Text “India Song” in The Sun Was Before You, special edition for the One Hundred years of Marguerite Duras: Words and Images of Insistence, organized by Instituto de Literatura Comparada Margarida Llosa (Faculdade de Letras Universidade do Porto), 2014.
OTHER PROJECTS
- Text writing on art criticism for the magazines Artecapital and Contemporânea, 2015-2021.
- Collaboration in the critical accompaniment of BoCa - Biennial of Contemporary Arts, 2017.
- Responsible for the production of fourteen exhibitions for the project Lugares de Viagem curated by José Maia for the Biennial of Contemporary Art of Maia, 2015.
